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Eastwood Mandocaster. Beautiful electric mandolin for Tele Tuesday.

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I'm a big fan of Eastwood guitars. I've never played one I didn't like, they bring back old models in tribute ( to the dismay of some purists ), and they're Canadian ( yay, national pride and stuff!)

As a mandolin player and a Telecaster fan it's a crime that I have yet to own one of these. I've considered getting an electric mandolin before but it was the Epiphone firebird version. This Eastwood Mandocaster could be the answer to my electromando dreams.

Maybe Santa will hear my call.

R.W. Haller

© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
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The Danelecto Bellzouki 12 string guitar from 1965

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This Danelectro Bellzouki was the brainchild of Vincent Bell, a session guitarist in the 1960s. Apparently when asked to play bouzouki for a gig he tuned one up 12 string style and faked his way through the show. This lead him to design an electric version of a bouzouki. 

Initially there were 2 sets of g-unison strings to help emulate the sound of the greek instrument but quickly evolved to a standard 12 string tuning. Interesting to note that the heavier gauge of the octave strings are on top as opposed to the bottom as on standard 12 strings. I've always thought this would be a better idea, but have never owned a 12 string long enough to try it out.

Other than the bouzouki shape this guitar is very Danelectro with the lipstick pickup, aluminum nut , and skate key tuners.

R.W. Haller

© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

The day the Rush died. Alex Lifeson's Signature Aurora Guitar for sale in Toronto.

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I guess it was just a coincidence that I came across this posting today as the news of Neil Peart's retirement from music bounced around the internet. This isn't entirely shocking news but as a lifelong Rush fan ( though, admittedly much more fervent in the 70s in 80s before i discovered what the rest of the world had to offer ) I'm a little saddened.
It was Alex Lifeson and his unique approach to guitar that had me practicing riffs and solos over and over. Not before or since then have I tried to learn anyones music as precisely. I clearly wasn't that precise, but the foundation of my skills were cemented then, in those countless hours.

So, only the $15000 price tag could keep me from this otherwise rather underwhelming super-strat-esque Signature Aurora. I was at at least one of the shows where he played this guitar.

A Farewell To Kings, indeed.

R.W. Haller

© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

This New York Pro has been abused

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The seller of the guitar keeps it short and simple. 

"New York Pro, refinished, new strings, tuned, sounds awesome"

Let's dissect it a little:

It's a New York Pro -  Hard to dispute or confirm as the headstock is not shown, but it looks like it's likely low range Korean offering.

Refinished - Well if you count intentional damage as a refinished job, then I guess so. Seriously, it looks like Marcellus Wallace got all medieval on it with a blow torch and pair of pliers.

New Strings - Phew, and I thought I was going to have to buy my own. There's a few bucks saved.

Tuned - Think of the hours I'll save. I wonder if I'll be able to get the seller to do house calls and tune it again if it ever should need it.

Sounds Awesome - The sound of an instrument is a very subjective thing, but I think that the judgment of this seller cannot wholly be trusted.

I generally don't like to be mean spirited when posting here, and yes we've called out horrible relics, bad customizations, and general guitar abuse in the past, but I feel this seller may be trying to dupe a potential buyer though, and sadly there are folks out there who wouldn't know that they were getting ripped off. 

Am I wrong? This is not a good guitar, is it?

For $250 I could have bought 8 of these guitars.

R.W. Haller











© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Phoenix Phantom Headless Bass. 1980s Made In Japan

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I'd never heard of Phoenix guitars before. Clearly they were part of the Japanese invasion of the 1980s.

This Phoenix Phantom looks to be a solid example of the quality that was going into all the made in Japan guitars of the time. If you can get past the lack of a headstock you could possibly have a great vintage bass at a decent price. The single pickup is coil tapped for single or humbucker tones and the black on black colour scheme gives it an air of class.

Currently $250 Canadian.

Happy New Year!

R.W. Haller





© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Awesome Vintage 1960s Goya Rangemaster with funky original case.

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I'm not sure i could describe this 1960 Goya Rangmaster with near the enthusiasm of it's seller:

"Wow, FAB, Groovy, Cool, What a Gas, Baby . . .
Dig THIS, Daddy-O~! Far-OUT, Man.
Freaky Flower Child, Pop Art, Jazzy & Right On.
This Gorgeous Vintage '60's Axe WILL Bring YOU
Right back to the Hip Psychedelic '60's . . .
Sock It To Me, this Bad Ass Git is Outta Sight~!
Crazy multiple switching pickups selectors & tone controls.
Artsy faux wood pickguard, neato neck dot inlays, PRIMO~!
This beauty plays as good as her awesome Italian looks.
Great, semi-chunky neck, wonderful frets, smooth action.
Several minor battle scars as expected of a 50 plus year old instrument.
Original Italian Art Goya Case, everything operational (missing trem arm).
This is one fabulous piece of music art history and plays like a mo-fo...
Dig it, man, this jive axe can be YOURS right now. Freaky… "

Freaky, man. Freaky indeed.

Currently listed for $850.

R.W. Haller


© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Harmony Roy Smeck H73 signature guitar from 1966

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I didn't know who Roy Smeck was until I bought a bunch of parts from 2 Harmony Roy Smeck lapsteels a while back. Born in 1900, Smeck, who was known as the Wizard of Strings died in 1994. He was known for his skills on guitar, lapsteel, banjo, and ukulele. He was even inducted into the Ukulele Hall of Fame.

It seems he had a long affiliation with Harmony and was even somewhat of an inventor. Many Harmony products bear his name.

This H73 is one of those products. I like the profile of this hollow, 2 pickup electric. It has an ample cutaway and an upper bout that is slightly reminiscent of a telecaster's curves.

It looks to be in great shape and comes with the original case. 

The seller is looking for trades, something interesting or unusual.

R.W. Haller


© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Sweet Little Duesenberg 12 String Mandola.

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I'm not sure if calling short scale high strung guitars mandolas is a misnomer or not. They do fall within the range of a mandola pitch but we are still dealing with guitar tuning in fourths.

Lets forget semantics and take a look at this beautiful Duesenberg.

With a 15.5 inch scale and ability to intonate each string individually (instead of the more common pairs intonation ) this little giant must just ring with chimey goodness.

Currently listed on Reverb for $2589

R.W. Haller


© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.



Lindert Loco-Motive T Guitar

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This Lindert Loco-Motive is a decidedly individual take on guitar design and that's the kind of approach we admire here at Guitarz.




According to Linderts guitars (unofficial) fan site, Linderts were built in Chelan, Washington in the 1990s and were the brainchild of Charles Lindert.  Along with their plastic-like, textured bodies and their grillcloth or tweed inserts, their biggest features were the unique "Thumb's Up" headstock as shown in the photo below and the "Escape Velocity" neck, which was a combination of a C-shape at the lower frets that morphed into a V-shape contour that directed your hands around the neck as you went to the higher frets.

They have posted all the different models and lots of info and also describe the differences between the USA models (which this is) and the later Korean ones. Worth checking out.




We've posted about Lindert guitars a couple of times before. A baritone guitar here and a six string bass there, so this is a nice addition to the family.
This is what the seller says about his guitar..."This auction is for my Lindert Loco-Motive 'T' Guitar in near mint condition. I believe this guitar is also known as the VT148 Victor. 
  1. It has a wider headstock than the Korean model.
  1. The logo on the headstock would be parallel to the strings if Korean.
  1. There are three screws below the bridge which would not be present on the Korean model. 
  1. There are also three screws on the back which typifies American build.
  1. The Korean models had a smooth finish.
I purchased this guitar new over 20 years ago and it has remained in it's bag since. I have probably taken it out of the bag four or five times to tune and play.

This model was made in Washington, USA and has the textured finish of brown and cream so loved by Charles Lindert. 

Other ways of telling it is USA made rather than the later Korean models are:
Other features of this guitar are the 22 fret neck, chicken feet control knobs and the semi-hollow body with, what looks like, Fender Tweed cloth inserts. Infact when I first bought this guitar I wondered if it had a built in amplifier and speaker but unfortunately not so!

This guitar plays extremely well and is becoming, like all Lindert guitars, desirable and collectable. 

The neck and string spacing are just wide enough to comfortably finger pick or play in a classical style.

Please note there is one small chip on the front top as shown in the eighth and last picture, other wise this guitar is in mint condition. 

I am not sure of the serial number however believe it is hand written on a label, together with the date of manufacture, on the heel of the neck.

The guitar comes with a soft case however will be supplied with a new hard case for shipping."

I haven't posted in long while but this whacky beauty deserves to be seen in all it's crazy glory. (The clue is, of course, in the name).

David in post-xmas-stupor Barcelona



© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Wilkanowski Archtop Guitar from a Violin builder in 1937. Very Unique Acoustic Guitar

Framus 12 String Semi-Hollow Guitar from the 1960s

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We've looked at a lot of Framus Guitars guitars here on Guitarz so I was a little surprised that when I checked we hadn't yet featured this 1960s 12 string beauty.

This Framus looks to be in great shape. The seller even uses the word pristine. Short of the nick in the headstock I'd say they would probably be right.

R.W. Haller

© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Epiphone Mo'Baby. A travel sized version of the Gibson Moderne

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I've always regarded the Gibson Moderne as an important piece of guitar history and Gibson lore. From it's early days as a Gibson that basically didn't really exist, to the reissues with varying headstock designs, it certainly holds a place in the pantheon of electric guitar. 

But, I don't really like it. 

Here we have another reissue under the Epiphone flag that turns the Moderne into a smaller travel sized offering. This somehow makes more sense to me as a concept even if branding it "Mo'Baby" is a tad ridiculous.

I wonder if there is the option of keeping the built in speaker on while playing through an outboard amp as well. And if it would offer any string response or feedback to do so. Has anyone tried this wit speaker equipped electric guitars?

R.W. Haller


© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11

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Tokai Hummingbird 1960s classic from Japan

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I know, I know, I know...

It's been FAR TOO LONG.  Time to get our arses into gear.  Thanks to Rich who kept the ship afloat for a long while in my absence.

I've got lots of things I want to tell you guys about.  New guitars and basses of my own, plus a couple of projects I've been working on.

Meanwhile I just want to bask in the gloriousness of this piece of 1960s Japanalia (is that even a word?) that is the Tokai Hummingbird. Yes, we've seen them before on this blog, but they look good enough to warrant another post.

This baby has a built-in distortion effect too... I'm guessing that's the battery access on the side of the guitar near the output jack.

But it ain't a cheapie. AneBay Buy It Now price of US $1,550.00 for this exampleillustrates just how popular these old Japanese guitars have become in recent years and how yesteryears oddities are now so supremely collectable.

G L Wilson


© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Aria Pro II ST-1504FL Super Twin guitar/fretless bass doubleneck from 1982

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Now this is my kind of doubleneck. From 1982, it's an Aria Pro II ST-1504FL Super Twin with 6-string guitar neck and a fretless bass neck. It's Japanese-made, of course, almost certainly from the now legendary Matsumoku factory - note the trademark through-neck stylings so typical of both the period AND Matsumoku, and in this case it's a double through neck!



It ticks all the boxes for me as a bassist who prefers playing fretless and also dabbles a little in guitar. Also it has the necks the correct way around with the bass neck at the bottom and the guitar neck up top. (Correct way? I explain more about this here, and in case you haven't been following I did indeed get that custom doubleneck built).

However, with a Buy It Now price of a whopping US $4,299.00 for this Ari Pro II doubleneck, I think that I'm going to have to give it a miss.

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Vintage 1960s Mark in Dartford Kent, Vox Clubman Bass for South Paws

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A guilty secret of mine is that I do actually quite desire one of these: a original 1960s Vox Clubman Bass,"Made in Dartford, Kent" (England) by Jennings Musical Industries (JMI).

Pre-dating the Italian-built Vox guitars of the later 1960s, the short-scale Clubman Bass was part of Vox's range of "student" instruments. The body was made of plywood, and whilst the neck had no adjustable trussrod it did have a steel bar embedded beneath the fingerboard. [EDIT: According to the Vox Showroomwebsite, it had TWO non-adjustable steel rods embedded in the neck.]

So, if it's such a cheap, crudely made instrument, why should I be interested?

Well, it's just that the Vox Clubman Bass has quite a reputation for playability and versatility. It has that particular sound that typifies an era but yet still manages to sound relevant today. I also quite like the design and used to own a similar Clubman II guitar that was my 2nd electric guitar (I've lost count of how many have followed - I'm sure it's in three figures) so it's partly a nostalgia thing, I guess.

This particular example, currently being offered for sale on eBay UK with a Buy It Now price of £320, is the rarer left-handed version. Whether it sells is another matter; a right-handed example in the more common red finish failed to sell earlier today with a Buy It Now of £399.  I know these instruments are quite desirable amongst collectors and people like me, but I do wonder if perhaps they are being priced a little too highly in today's market.

Note that this example has a jack output socket which is probably a later conversion as from the factory it would have been equipped with a television-aerial type co-axial socket.

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
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A 1960s German take on the Stratocaster by Klira

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This vintage 1960s S-type guitar from Klira in Germany is quite an oddity. It seems familiar yet alien at the same time what with the inclusion of features like Klira's own branded K pickups which visually have a P90-ish vibe to them plus the Jazzmaster-ish tremolo system. The Strat-style body appears to be of high quality with some very nice figuring to the timber beneath the sunburst finish.

The eBay.de listing refers to this guitar as a "Hammer Guitar" or "Hammer Gitarre" which makes little sense to me. I feel something is being lost in translation here. Currently listed with a &eurol449 Buy It Now price.

G L Wilson

© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Dave Of England hand-built solidbody - Zemaitis related

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Here's a stunning UK hand-built guitar from a luthier I was hitherto unaware of (hey, you can't know them all) and which has strong stylistic and heritage links to the legendary guitars made by the late Tony Zemaitis.

It's a Dave Of England guitar, currently being offered for sale on eBay. It'd probably be easiest just to copy the text of the auction rather than reinterpret what the seller has written so well already:

This is an unique guitar made in 2011, completely by hand, for me, by now-retired guitar maker (luthier!) Kevin Parsons. We made guitars using patterns and jigs supplied by Tony Zemaitis upon his retirement, and this is one of our last. Our guitars are/were all “Dave Of England” guitars, and we have built them for the likes of Ronnie Wood, Pete Townshend and many more. All by hand.

The body shape is one of Kevin Parsons’ original designs, it is quite slim when compared to a Les Paul, but has a similar tone, as the best quality mahogany and flamed maple are used. The top is an incredible flamed bookmatched maple set, and the back is 3 pieces of mahogany with reverse grain construction, as favoured by Tony Zemaitis. There is a smooth cutaway for easy access to the dusty end. The two-piece bound neck is mahogany, too, with a rosewood fingerboard and rosewood head face on the Zemaitis-shaped headstock.

The high quality Gotoh tuners are complemented by wooden buttons.

The bridge and tailpiece are hand-made, as well as the pickup surrounds, all from top grade aluminium. They too are made in the Zemaitis style, to get the fantastic sustain and tone that these instruments were noted for. The bridge and tailpiece are mounted into threaded brass inserts in the body, using galvanised steel bolts. The aluminium parts are all hand engraved by Kevin Parsons.

The pickups are from the Creamery, hand-made again in the UK, to order, just for this guitar. They sound powerful, and quite thick, in a nice way.

The finish is nitrocellulose over a very old stain, supplied to me by Mr. Zemaitis. The colour fades out after a year or two to give a very vintage amber look. Although shiny and glossy, the finish is very thin, again, a Zemaitis trait. It helps resonance and shows grain like antique furniture, it is not like glass or a Japanese instrument, you can see and feel the undulations in the grain.

This instrument is quite a bespoke affair, and won’t suit someone looking for a Les Paul lookalike. But if someone was looking for an easy playing modern hand-made, great-sounding unique electric solid body guitar, they should look no further.

It is a really excellent professional quality instrument, made from the finest materials by hand, here in England.

Scale length is 25” and the scalloped nut is approximately 1 11/16ths of an inch.

The case is a Hiscox.

Don’t confuse this with, or compare it to, a factory-made guitar. It is a complete one-off and took many, many hours to build.

This guitar was originally sold to a studio owner friend of mine, who took great care of it then traded it back to me for a vintage Telecaster.

A Dave Of England solid body guitar was listed recently at Sotheby’s of New York at $17,500 or  thereabouts. One of my old headstock badges with my name on it is currently for sale for $499! Grab this one while you can.

Currently listed on eBay UK with a Buy It Now price of £1995.00.

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
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Prince RIP

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What the hell is going on this year? We've lost so many of our beloved creative geniuses from the worlds of music and entertainment. First we lost Motorhead's Lemmy in the very tail end of 2015 (as close enough to 2016 as damn it). Then David Bowie's death in January hit a lot of us really hard, and now Prince - another omni-talented highly creative individual - has also passed away.

Not to mention the sad demise of Merle Haggard, Maurice White (Earth Wind & Fire), Paul Kantner (Jefferson Airplane), Glenn Frey (The Eagles)... RIP, all of you.

Lonnie Mack
Now I hear that Lonnie Mack has passed away too. Sad times.

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

1977 Burns "Jubilee" Flyte with faded UK Union Flag finish

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As I have mentioned many times in the past on this blog, I am a big fan of the Burns Flyte guitar, even though the only time I have actually seen one up close and personal was last year when my band was playing a psychedelic festival and Nick Saloman of The Bevis Frond, who were also playing, let me have a look at his.

However, I'm not so sure about the patriotic finish on this "Jubilee" example from 1977. (1977 was the year of Queen Elizabeth II's Silver Jubilee, i.e. she'd been monarch for 25 years). Even though this is the original factory finish, the Union Flag - popularly known as the Union Jack but technically speaking it shouldn't be referred to as such unless flown from a ship - has been poorly rendered with very thin crosses and not enough of a pinwheel effect on the diagonals. It's made to look all the more bizarre by the process of ageing which has turned the blue background to green and the white to yellow - in fact when I first saw this I was trying to decide if it was supposed to be the Union Flag or not. If you didn't know it was supposed to represent the flag of the United Kingdom, then perhaps it'd be easier to think of it as an abstract design. Still don't think I'd like it.

Like it or not, it's still a very interesting piece. This particular example was being sold by Denmark Street Guitars in London but is marked "Out Of Stock" which implies that it has either been sold or else withdrawn from sale. Unfortunately this means I cannot give you a price or value. However, three years ago, a Burns Flyte with "supposedly" original rare red finish was being offered for sale in Germany with a price of €1444. My feeling is that this Jubilee edition would be more valuable. Burns experts please feel free to correct me!

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Bizarro 1960s Kingston 12-string solidbody electric guitar

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Here's a real oddity, a 1960s-era Kingston 12-string solidbody, of a peculiar design that I certainly have never seen before. It is a very odd shape. It may just be me, but I fancy that if it were finished in yellow rather than black it might resemeble a certain submersible that The Beatles made famous.

So, it's Japanese made by Kawai. What else do we know? Well here's what the eBay seller tells us:
Electronics - All electronics are working including both pickups, on/off selector switch for each pickup, both volume controls and universal tone control have all checked out fine. All electronics look original and vintage. I have owned 100's of vintage MIJ guitars and this setup looks legit. The Pickguard is an interesting material however as it is not plastic. It looks like those faux wood pick guards used on Domino California Rebel guitars although the wood side is reversed. See pics.

Body - Solid wood (not plywood). Finish may or may not be original. It looks like it may have been painted black although my guess is it was painted many years ago as finish has a vintage look. I believe the guitar may have been all white judging from the front of the neck headstock which looks original. There are some light areas around the edge of the headstock that have black paint. Back of neck is black finish as well and matches the body. The body pickguard holes and tremolo tailpiece dugout area look original and not modified in any way. The bridge area however looks like it was modified to be cut into the body and pickguard instead of "floating bridge" style or screwed into top of body. Tremolo tailpiece is typical of Kingston / Kawai guitars of this age and the routing area in body looks all original (I have a Kingston / Kawai S-160 listed at this time with this tremolo tailpiece if you'd like to compare these). This tailpiece is actually machined with 12 string holes (first time I've seen that on one of these tailpieces). The tremolo has been blocked off and does not include the arm stem or arm. A 12 string guitar can be problematic enough to keep in tune, never mind adding a tremolo to the mix!!! Yowza!

Neck - Neck has Gibson type "open book" lawsuit design. Tuners all match and are vintage and all work fine. Truss rod cover has KINGSTON on it. Neck needs attention as it starts straight but takes a dive where it meets the body.

The main issue with this guitar keeping it from being playable is the neck. The neck is the main problem. It starts straight all the way until 10th fret or so then dives down to body. It's not a typical forward or back bow. Also, the bridge being set down into the body (presumably to lower action?) makes the string angle wrong and the strings slip out.
Sad that the guitar has some issues and will most likely end up being a wall hanging rather than a player, but it's a fascinating pieve nonetheless.

Currently listed on eBay with a Buy It Now price of US$350.

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.
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