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Sauvage OPM1 Guitar made from one piece of 100 year old Olive ash.

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I think I'm in love.

There is little to say here that the pictures cannot say for themselves.

This Sauvage OPM1 ( One Piece Master ) is everything that is right with modern guitars as far as I'm concerned. Slightly retro, slightly modern, and wholly original.

R.W. Haller




© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Ultra Rare1967 Bigsby Condor Prototype. One of only Only 3

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There's a lot that can be said about this 1967 Bigsby Condor Prototype. But, like the seller, I really don't know where to start. He has this information though, which is a bit more than I could muster up:

"1967 Bigsby Condor Prototype Experimental Guitar, only 3 made, was to be called the Condor, one was given to Barney Kessel, the other was given to Howard Roberts, this one sat in Milwaukee since then, Paul Bigsby may have worked on this-no way to know, the pots are 1967, Paul died in 1968, Hammond was contacted for the electronics, and the work was contracted out to Gibbs Electronics in Milton Wisconsin, Natural finish, Rosewood fretboard, the guitar weighs 11 lbs. - 0.9 oz., biggest volute & headstock on Earth !!, huge neck profile, the guitar has been sitting for almost 50 years, it has not been tested, everything is in very good condition, don't miss this once in a lifetime chance to get an extremely cool & unique collectors item, has the original fancy heavy duty hard case."




The first thing I noticed was the way the strings break at the bridge at a sideways angle. I've never seen another guitar do that. I wonder how effective it is.

Currently listed at $3295 U.S.

R.W. Haller

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Fasan Holiday Guitar from 1968 with incredible "finish"

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I love the look of this German made Fasan Holiday. There is nothing better than fake plastic trying its best to look like fake wood. In a fake news world this guitar should get all the headlines. The metal embossed pickguard, and a well aged tremolo only add to the character of this late 1960s beauty.

Currently listed for $500 Canadian

R.W. Haller


© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

(Allegedly) The World's First Self Strumming Guitar - Heavily Modded 3/4 Squier Stratocaster

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What are we to make of this alleged World's First Self-Strumming Guitar, a Frankenstein's monster of a creation built from parts of an old Squier Mini and a computer printer? It's currently listed on eBay UK with a Buy It Now price of £300, although the seller does note that "Although I have set the buy it now price high, I will entertain sensible offers, just offer whatever you think its worth and you might get (un)lucky!"

He also says that:
Please bear in mind this is a prototype and as such isn't finished nicely where I have been working on it, and while the self strum mechanism works perfectly laying flat on a bench it is a bit temperamental when the guitar is held in a playing position. I can suggest a simple modification to the buyer to correct this but it is not something I plan on doing myself as I am now busy working on the mark 2 self strumming guitar - the follow up to this.

Think of this a piece of mechanical art rather than an instrument you would use every day, putting all silliness aside this thing with a bit more development could actually be useful one day to a person who has either lost or lost the use of an arm. I'd like to sell this to fund further development into the concept. Check out the following video to see me building this contraption and to see it working.

AND there's a video!


G L Wilson

© 2017, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Rare Takamine Guitar and Bass combo from the 1980s

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Poor Takamine ( circa 1985 ).

After a long run of acoustic guitar success in the 1970s and early 1980s they found themselves losing a lot of ground once the mid 80s were in full bloom and hair bands ruled the land.

They had to do something.

I'm not defending Takamine for coming up with these Takamine Guitars and Basses , in fact there is a lot to like about them.
Even though it's not something that I'd usually appreciate, I find I'm a fan of the black with red combo ( See my most recent boot purchase ). I also do not totally hate the body shape on these. They're much more subtle than this Takamine, obviously from the same era.

The seller is looking for trades and I'm sure this would be a great addition to the right collection.

R.W. Haller


© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Awesome Headless Scorched Wood Sankey Guitars Bast

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Though this Sankey Guitars Bast model is far from my usual taste, I find that I'm drawn to it's looks. It could be that they scorched and burnished to body, which is made of douglas fir, and then when the reliefs were carved the true wood is exposed.

The seven piece neck is made of layers of ebony, cocobolo, and purple heart. This was done for stability in the Californian desert climate, but it also looks fantastic.

The Bast also sports a polyphonic pickup and preamp allowing for strong piezo acoustic sound and hexaphonic midi. On top of that there is a standard magnetic pickup as well.

R.W. Haller



© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Unknown Mongrelcaster Offset Telecaster

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I spotted this today on the Facebook page for ugly guitars. The poster calls it the Mongrelcaster. There are no other pictures or information.

It's my new favourite offset-tele syle guitar. Congrats on standing out without being too wacky or disgustingly odd. It's somewhat reminiscent of an Eastwood Senn model . Modern and classic.

Does it remind you of another guitar?

R.W. Haller


© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Custom Rick Toone Headless, fan-fretted T2 Telecaster

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I'm not going to get into too much detail. The pictures speak for themselves on this one. Either you love when some one takes a tried and true design and turns it into a unique beast, or you hate it. There is rarely someone in the middle on these issues.

This Rick Toone T2  is designed to be polarizing. The craftsmanship may speak for itself. It looks extremely well made and has all the elements of a great guitar.

What I'm mostly offended by is the price, $17500 US.

Admittedly I know very little about the Luthier Rick Toone apart from the fact that I've heard his name before, and have seen one or two of his more ergonomic offerings.

Has anyone here own/played one of his guitars? Is it worth the hefty price tag?

R.W. Haller


© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Unholy Stratocaster/Flying V lovechild from Psychederhythm GIBFENDRIX Limited!

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Yeah yeah, I know I've been far too quiet in recent times. Sometimes life gets in the way of blogging, guys. ANYWAY, despite all that malarkey, I couldn't let this freaky Hendrix-inpsired Strat/Flying V mutant axe that I just saw offered for sale on eBay go unmentioned.

I'm sure it'll be sacrilege for some, but I'm no purist, I quite like it although perhaps not enough to warrant the tune of the US $2,430.00Buy It Now price.

GIBFENDRIX...?  You can almost hear the vulture squawks of the lawyers circling overhead.


G L Wilson


© 2017, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Superb Bulgarian Vintage Orfeus Electric Guitar

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Luckily, I was able to save some pictures of this wonderful specimen before it was sold. This Orfeus checks a lot of boxes for me as it's odd, yellow, and has the kind of curves that could make a schoolboy blush.

R.W. Haller


© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Eastwood 1975 Morris the Cosy Mandolin shaped guitar

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I was drawn to the look of this Blueberry guitar when it was posted back in 2014, but I always thought that it was a bit too much, as a lot of the Blueberry is. A bit too ornate and flashy. The thought of a well proportioned mandolin shaped guitar has interested me since.

This Eastwood 1975 Morris the Cosy doesn't exactly fit the image I've had in mind, but it is certainly worth a gander. 

Modelled after a 1975 Morris Custom Mano Mania guitar best known as  one of the main guitars for Pete Cosy from Miles Davis' band, the Morris Cosy looks like a nice take on a semi-hollow 2 pickup design. It would be nice to see one in an non sunburst or even bare wood design to look like an old Gibson mandolin.

R.W. Haller


© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Sano Acoustic Guitar Mystery. Possible connection to Lowden or Yairi

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Hello all, as I get ready to send my youngest off to full time school, I may actually have more time to post here. Unless I get one of those job thingys. Let us hope not.

Here we have my newest acquisition.

I spotted this Sano Acoustic guitar as it reminded me a lot of my Lowden O-10 ( see the last picture). Then I ended up down the rabbit hole of google research. There is little to be found on the subject of Sano acoustic guitars. There is quite a bit about Sano amplifiers and their possible connection to Ampeg. 

Sano started off building accordions and were in the forefront of accordion amplification. They imported electric guitars from Italy in the 
1960s and started to focus on guitar amplifiers at the time. 

I did find some information that said there was possibly some Sano acoustic guitars build by Yairi in the 1980s. Lowden also built guitars with Yairi in the eary to mid 1980s. There was even a short lived brand of guitars that were Lowden designed sold under the name Artisan ( less than 1000 guitars ).

This guitar is amazing. Has all the balanced tone of my Lowden and is perhaps even better sounding when using a more aggressive strum attack. The top is solid cedar and the back and sides appear to be mahogany, but I cannot tell if they are solid or laminated. The fit and finish are quite good even if not quite as refined as the Lowden. And the trim work definitely suggests this guitar is worth more than I paid for it. 

A couple of interesting things on this guitar. The volute is the biggest pyramid volute I've seen in person, yet it's well placed enough to be unnoticeable while playing. The pick-guard is more unique than you may think upon first glance. It's rosewood, and it's actually inlaid into the cedar. In all my years of guitar obsession I've never seen this approach. 

Has anyone seen these guitars before. The only labelling or markings are a serial number on the neck block and a small label inside that says "Sano Craftsman Made". No country of origin, or any other markings. 

Be interested to see if anyone else has been as lucky to come across one of these guitars.

R.W. Haller



© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!Please read our photo and content policy.











Martin Model America Double Back Guitar from 1906

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This 1906 Martin Model America is somewhat of a mystery to me. I've done some quick searches and have found mostly links to pinterest posts. That, and the page I got these pictures from.

What I cannot find is the "why'.

I have no idea what the advantage would be to having a double bod in such a way.

Does anyone know?

R.W. Haller



© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Hoyer Black Lady Deluxe HEG 320 Telecaster

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Hoyer is a company with roots as far back as 1874 in Germany and is responsible for some of the cooler german offerings on this site.

This Hoyer 320 telecaster style apparently has a sister called the white lady. I love the simple black on black design and the white/black binding adds just the right touch. The sexy mudflap lady inlay is a nice touch as well. It borders on tacky yet remains a subtle tongue in cheek addition on this otherwise sober guitar.

R.W. Haller



© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

The Piglet! (photos from my latest guitar build project)

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This is a guitar I'm building for the singer in the band I currently play bass in, Red & The Hogweeds. When Red had said he would like a hog-shaped guitar, I knocked up a design in PhotoShop. My first inclination was to ask a factory in China if they could build a one-off using my design, so I approached a factory that I'd seen recommended on the net. But on receiving their reply of, "No, we can't do that, but we have lots of other designs..." (but I want THIS design! I mean what kind of consolation is that?), I decided, sod it, I'll build it myself.

I'm not a luthier by any means, although I have put together several Frankenstein guitars and I have built a six-string cigar box style guitar that does actually play quite well (I've even recorded with it). I've designed this piglet guitar so that it should be easy to put together with just the bare minimum of power tools. All we're using is a jigsaw and a router, other than that it's hand tools. I say "we", by the way, because I've drafted in Hogweeds guitarist Gunner to help out.

The body is formed by 4 pieces of poplar (a.k.a. tulipwood) - two wings, and a centre section made up of a front and a rear piece of wood. This allows us to make an easy neck pocket simply by jigsawing the front piece of wood, then when it is glued to the rear piece the pocket is formed. Finally the timber will be sandwiched between two pieces of plywood for the front and back. It's all going to be painted piggy pink anyway, so I didn't see the need for anything posher.

Yes, I'm cheating with the neck and am using one I've bought in specially. I make no apologies for this.

Because it is such a big body, I've included several cavities - or "tone chambers" if you prefer - and these should keep the weight down. The cavities are rather crudely cut out; I will tidy them up a bit but won't worry about this too much as they are going to be hidden away inside the guitar and not seen. We're also hoping to put LEDs into the pig's eyes, so these and the battery will be housed in the large chamber you can see to the left of the design.

I'll post more photos as the build progresses.


G L Wilson

© 2018, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

The Piglet! [Guitar build, Part 2]

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Work has resumed on the piglet guitar. Today there was a lot of measuring, re-measuring, checking and double checking as we had to ascertain the precise positions for the bridge and the pickup so they would align properly with the strings on the neck.

Initially we cut a precise humbucker-shaped hole into the plywood top of the guitar thinking that it could be top loaded. Then it occurred to us that we wouldn't physically be able to get the pickup into the guitar unless the hole was made a good deal larger  and included cutouts to allow for the lugs for the height adjustment screws and springs. We decided to use a pickup surround but unfortunately the nice chrome flat surrounds I'd bought on eBay were too narrow for the humbucker (maybe they were meant for mini-humbuckers?) so we had to make do with making a surround cur out from the Strat-style pickguard from which our donor pickup had originally come, and set to work on it with the jigsaw.

We also drilled a hole through to the pickup cavity from the area upon which the bridge will be sited so that we can earth the bridge with a grounding wire.

We had much discussion about whether we should cut out the various pieces of timber making up the body before or after it was all glued together. We ended up by cutting out the plywood top of the guitar on its own, then sanding all the edges to the desired shape, from which to use as a template to mark out the rest of the body timber. The reason for cutting out the top separately was to avoid tearing the edges of the ply. Cutting it on its own meant we could use a finer blade and get a more accurate cut without ripping. To get around some of those corners in the body shape (e.g the areas around the ears and the feet) we drilled holes where the jigsaw would need to change direction.

We didn't get as far as gluing the body as we needed to get hold of some more clamps first, so that'll have to wait until another day. After gluing and clamping we will cut out the rest of the body, then will get to work sanding the edges.


The above photo shows my original paper template for the body, which should give some idea of the design.

G L Wilson

© 2018, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

The Piglet guitar build project, part 3

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Just a very quick update this time. Here's the Piglet body all glued and clamped up on the bench and with a couple of heavy weights on top for good measure. Going to leave it for 24 hours before unclamping.

G L Wilson

© 2018, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

The Piglet guitar build project, part 4

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(Above): Because this guitar is going to be such an unusual shape, I drilled holes in key places outside of the perimeter to aid the jigsawing process, especially where the blade needs to change direction.

 And after much careful jigsawing, here (above) is the cut-out body shape.

Hole drilled for the output jack.

The reverse of the body, sanding having commenced. Note I wanted to smooth certain pointy areas that may otherwise cause discomfort.

To give a better idea of the final product, here (above and below) we see the body with top in place (not yet glued) plus the neck, pickup and bridge in position.

Next job: Much more sanding! And then we can think about painting.

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

The Piglet guitar build project, part 5

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The above photo shows the piglet guitar body with the access panels cut into the rear side. The small round hole will be for the guitar's electrics, just a single volume pot in this instance, and which also allows access to the output jack on the side of the body. The larger rectangular hole will be for access to the LEDs and battery pack, as this little piggy is going to have illuminated eyes!

Gluing and clamping down small blocks of wood where screw holes for the rear covers would otherwise be penetrating only a single layer of plywood. I wanted something a little more substantial for the screw threads to get a grip upon.

A day later and the guitar's top is glued into position. To make sure it was aligned correctly, I mounted the neck into the neck pocket (a snug fit with no bolts needed at this stage), having first wrapped clingfilm around the base of the neck to protect it from glue. Then after clamping all around the body (why do there never seem to be enough clamps?), I removed the neck.

After a few hours I removed the clamps, so I could remove the piece of scrap backing and ensure it wasn't going to be permanently glued to the guitar body seeing as glue had been dripping down onto it. Having cleared away excess glue, I re-clamped the body and will leave it for another day.

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Hamilton Custom Guitars: another example

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There has been a lot of interest in this 2013 post about this Hamilton Custom Guitar. Mark Natola contacted us to say that he is a Hamilton owner too, having recently bought a beaten-up example via Craig's List.

Mark has very kindly emailed the several photos of his Hamilton Custom Guitar that you see here. He tells us that:
...the head stock was broken when I bought it. In addition, the fret board was splitting away from the neck and the pick guard was broken in several places. Other than that, it was in fine shape, 😊.

I brought it to a luthier who removed the fret board, cleaned up the neck, glued the fret board back on and replaced the frets. He repaired the head stock based on the “Made for Raymond” photo posted on the blog. In the mean time, I had a new pick guard made based on the metal shielding found below the original pick guard. We decided to stick with the original pickup and pots as they could not be replaced. I took the bridge apart and soaked and scrubbed the chrome parts with naval jelly. They cleaned up very well. The tuning keys were also soaked and cleaned in the same manner. Finally, I made a conscious decision to keep the original laquer finish, which is checked from age. Consequently, when the head stock was repaired it was necessary to stain it using a stain similar to the body color. My guitar had a “Made for Corinne” signature, however part of the name was missing due to the damage to the headstock. We decided to remove that and leave the Hamilton Custom intact.

I have now seen several guitars and it looks like there are subtle variations in the plate below the bridge. I can send more images later if you are interested.


Mark goes on add:
...it would seem as there are at least five of these floating around including mine.
  • There is "Made for Raymond".
  • Mine, formerly "Made for Corrine"
  • A white one I saw posted on Pintrest a while back, without an inscription as far as I can tell
  • One mentioned on this blog that was bought in Boston, with case and mid 60's sheet music
  • One mentioned in recent post by guy from Long Island whose father chromed the hardware.
Am I missing any?
I wonder if the white one on Pinterest is the same one as owned by the father of Thomas who commented on our original blog post?

If anyone else has any more information or photos of Hamilton Custom guitars, please contact us!

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.
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